Spotlights
- Descifrando el álbum ilustrado. Estrategias de emisión, recepción y análisis
- Pereda painted by himself (1851-1906). An epistolary. Volume III
- Pereda painted by himself (1851-1906). An epistolary. Volume I
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Descifrando el álbum ilustrado. Estrategias de emisión, recepción y análisis
SpotlightAt first glance, illustrated albums present a series of characteristics that make them not go unnoticed in the displays of a library or a bookstore and that differentiate them of other literary works that also contain images. We are referring fundamentally to its design, its format, the quality of its illustrations or to the space they occupy on the support. This is what, in principle, invites us...Read More -
Pereda painted by himself (1851-1906). An epistolary. Volume III
SpotlightRead MoreThe epistolary of José María de Pereda consists of three volumes. This volume III collects 767 letters, from January 4, 1891 to March 2, 1906.
These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature Prize winner and member of the Board of the Menéndez Pelayo Society.
It brings together one...
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Pereda painted by himself (1851-1906). An epistolary. Volume I
SpotlightRead MoreThe epistolary of José María de Pereda consists of three volumes. This volume I contains a biographical introduction of the writer through his letters, written by Salvador García Castañeda and the indexes: chronological, correspondents and name.
These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature...
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