Spotlights
- La comedia entre mundos: Intersecciones críticas en el teatro de la temprana modernidad
- Descifrando el álbum ilustrado. Estrategias de emisión, recepción y análisis
- Pereda painted by himself (1851-1906). An epistolary. Volume III
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La comedia entre mundos: Intersecciones críticas en el teatro de la temprana modernidad
SpotlightRead MorePerhaps today more than ever, with the much-needed rise of postcolonial studies and an urgent look towards the multicultural, the intersectional and the interdisciplinary, it is difficult for many scholars to consider comedy as a vital and constantly regenerating genre within studies. . current Hispanics. However, if we do not do so, we run the risk of relegating to the background a unique dramatic tradition of singular richness that left a permanent mark on the society of the time on an artistic and sociocultural level. Indeed, Spain in the 17th century drank from the stage both in its...
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Descifrando el álbum ilustrado. Estrategias de emisión, recepción y análisis
SpotlightAt first glance, illustrated albums present a series of characteristics that make them not go unnoticed in the displays of a library or a bookstore and that differentiate them of other literary works that also contain images. We are referring fundamentally to its design, its format, the quality of its illustrations or to the space they occupy on the support. This is what, in principle, invites us...Read More -
Pereda painted by himself (1851-1906). An epistolary. Volume III
SpotlightRead MoreThe epistolary of José María de Pereda consists of three volumes. This volume III collects 767 letters, from January 4, 1891 to March 2, 1906.
These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature Prize winner and member of the Board of the Menéndez Pelayo Society.
It brings together one...
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Pereda painted by himself (1851-1906). An epistolary. Volume III
Pereda painted by himself (1851-1906). An epistolary. Volume II
Pereda painted by himself (1851-1906). An epistolary. Volume I

