Spotlights

  • Pereda painted by himself (1851-1906). An epistolary. Volume I

    Pereda painted by himself (1851-1906). An epistolary. Volume I

    Spotlight

    The epistolary of José María de Pereda consists of three volumes. This volume I contains a biographical introduction of the writer through his letters, written by Salvador García Castañeda and the indexes: chronological, correspondents and name.

    These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature...

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  • Pereda painted by himself (1851-1906). An epistolary. Volume II

    Pereda painted by himself (1851-1906). An epistolary. Volume II

    Spotlight

    The epistolary consists of three volumes. The first contains the introduction, written by Salvador García Castañeda (590 pages), and the chronological and onomastic indexes.

    These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature Prize winner and member of the Board of the Menéndez Pelayo Society.

    ...
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  • The Comedia Between Worlds: Critical Intersections in Early Modern Theatre

    La comedia entre mundos: Intersecciones críticas en el teatro de la temprana modernidad

    Spotlight

    Perhaps today more than ever, with the much-needed rise of postcolonial studies and an urgent look towards the multicultural, the intersectional and the interdisciplinary, it is difficult for many scholars to consider comedy as a vital and constantly regenerating genre within studies. . current Hispanics. However, if we do not do so, we run the risk of relegating to the background a unique dramatic tradition of singular richness that left a permanent mark on the society of the time on an artistic and sociocultural level. Indeed, Spain in the 17th century drank from the stage both in its...

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Featured

La rosa de los vientos. 2/3

Pereda painted by himself (1851-1906). An epistolary. Volume III

Salvador García Castañeda
January 5, 2024

Pereda pintado por sí mismo. Un epistolario. Volumen IV

Salvador García Castañeda
May 20, 2025
La rosa de los vientos, 2/2

Pereda painted by himself (1851-1906). An epistolary. Volume II

Salvador García Castañeda
January 5, 2024
La rosa de los vientos. 2

Pereda painted by himself (1851-1906). An epistolary. Volume I

Salvador García Castañeda
January 5, 2024
La rosa de los vientos. 1

Deciphering the picture book. Issuance, reception and analysis strategies

Paulino Pumarejo Gómez
December 29, 2023