Spotlights
- La comedia entre mundos: Intersecciones críticas en el teatro de la temprana modernidad
- Pereda painted by himself (1851-1906). An epistolary. Volume I
- Cartografías transoceánicas de la cultura y la literatura hispánicas.
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La comedia entre mundos: Intersecciones críticas en el teatro de la temprana modernidad
SpotlightRead MorePerhaps today more than ever, with the much-needed rise of postcolonial studies and an urgent look towards the multicultural, the intersectional and the interdisciplinary, it is difficult for many scholars to consider comedy as a vital and constantly regenerating genre within studies. . current Hispanics. However, if we do not do so, we run the risk of relegating to the background a unique dramatic tradition of singular richness that left a permanent mark on the society of the time on an artistic and sociocultural level. Indeed, Spain in the 17th century drank from the stage both in its...
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Pereda painted by himself (1851-1906). An epistolary. Volume I
SpotlightRead MoreThe epistolary of José María de Pereda consists of three volumes. This volume I contains a biographical introduction of the writer through his letters, written by Salvador García Castañeda and the indexes: chronological, correspondents and name.
These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature...
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Cartografías transoceánicas de la cultura y la literatura hispánicas.
SpotlightRead MoreThis book proposes understanding Hispanic culture and literature as a dynamic constellation in which texts, imaginaries, bodies, languages, myths, aesthetic forms, and ideological projects circulate on both sides of the Atlantic. The result is a collection of studies that, using diverse methodologies and heterogeneous objects of analysis, engage in dialogue around a shared critical intuition: the cultural history of the Hispanic world has been constructed in motion.
Chronologically, this work spans from the early modern period and the colonial Baroque to...
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Pereda painted by himself (1851-1906). An epistolary. Volume I
Pereda painted by himself (1851-1906). An epistolary. Volume II
Pereda painted by himself (1851-1906). An epistolary. Volume III
The Comedia Between Worlds: Critical Intersections in Early Modern Theatre
