Spotlights
- Pereda painted by himself (1851-1906). An epistolary. Volume I
- Pereda painted by himself (1851-1906). An epistolary. Volume III
- El teatro griego. La tragedia. Antología de Antígona, Edipo rey y Medea.
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Pereda painted by himself (1851-1906). An epistolary. Volume I
SpotlightRead MoreThe epistolary of José María de Pereda consists of three volumes. This volume I contains a biographical introduction of the writer through his letters, written by Salvador García Castañeda and the indexes: chronological, correspondents and name.
These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature...
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Pereda painted by himself (1851-1906). An epistolary. Volume III
SpotlightRead MoreThe epistolary of José María de Pereda consists of three volumes. This volume III collects 767 letters, from January 4, 1891 to March 2, 1906.
These three volumes constitute a magnum opus that reveals unknown facets of the writer José María de Pereda (1833-1906). The work is the fruit of a lifetime of research dedication to the figure of the Polanco writer by the professor of Literature at the Ohio State University, Salvador García Castañeda, 2022 Ciudad de Santander Literature Prize winner and member of the Board of the Menéndez Pelayo Society.
It brings together one...
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El teatro griego. La tragedia. Antología de Antígona, Edipo rey y Medea.
SpotlightRead MoreIt is not easy to compress in a few words the essence of the conflicts of Oedipus, Antigone or Medea: the tremendous and ineluctable destiny from which the Theban king cannot escape and the tearing of his pain in the face of the truth that he ignored; the overwhelming brilliance of his daughter, Antigone, in challenging immoral laws that do not respect the most sacred, the burial of our dead; the fire that consumes Medea in the face of the betrayal and disloyalty of those who meanly break a pact. Of its transcendence, of the value that men have given over the centuries to the words of...
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